L'OBSERVATEUR
"Same Name, Same Building, the Same News Source You Can Trust"
[The front cover of the l'Observateur this issue is a fresh editorial, accompanied by a brief sketch of a glamerous copper haired woman, smoking a local brand of cigarettes.]
Editorial - A fresh perspective
Dear Reader,
It is with undisguised delight that I present you with this latest edition of L'Observateur, a gazette that mirrors my very deepest ideals, steeped in history yet rifle with fresh perspective. Within these pages, and within the pages of future issues you shall find two things - News about the old, and perspective on the new. We seek to combine factual unbiased reporting with a selection of vivid current pieces, from guests in the famous city of lights, and its own citizens, to challenge and inform its perspectives.
We also aim to keep you informed of upcoming events, so that you might fill your social calender with the very best places to be in the coming months and a run down on those local establishments well worth a visit.
For this journey through Dementliuse cluture, I shall be your proud guide, aspiring to bring you an unbiased perspective, and letting you, dear reader, decide what you feel is best.
Let the thought prevoking begin!
Secrete Demeuleneire, Editor. 31th July 777
[Then again, on the inside cover...]
Seeking Fresh Contributors
We once more put out our call for fresh contributors to these esteemed pages. Perhaps you have a story of substance, a key fact about a local family left unknown. Perhaps you have a 'fresh perspective' to offer on the various political goings on? What do you think the next meeting of the Council of Brilliance should be on? Do you have a view on the Hawk? Does the University have enough funding? What's the really important next steps in the ever popular Grain Deal?
We want to hear from you. Provided of course, your content is factually correct, and relevent to the esteemed nobility of Dementlieu. Those who contribute their time and effort will be rewarded with fair coin. Interviews will be granted.
Secrete Demeuleneire, Editor.
[After the traditional snippets of cheap but factual gossip about many unimportant noble families, comes the following article...]
The Artistry of the Absurd
By Mademoiselle Dove
The 'purpose' of art is something that is much debated, and no doubt should I stake down a firm position, I shall be castigated from all sides by those who have their own, differing opinions.
...Luckily, I am correct, and all those other people are wrong, so I may be self assured that my rhetoric is unassailable.
Please now imagine a self satisfied giggle from myself. I'll give you a few lines of space before I continue so you can have some time to do so.
Good. Now, to elucidate- The purpose of art is to attempt to capture the ineffable. To conjure a movement of the soul, to, as if by occult practice and magic words, bind the emotions of the heart and present them in a way someone else might possibly understand them.
Those who attended the recent production of 'The Diabolic Match' may have noticed that it was was a work that in many ways confronted and put center stage ideas just on the edge of scandal. It was a play meant to enrapture with this daring edging of the line, to capture the eye and mind with its spectacle.
But not without purpose. Not without meaning.
The play touches upon the metatextual, presenting a spectacle to the audience that makes them question as the characters question, if only for a moment, if what unfolds upon the stage might be reality. The demonic Queen in Shadow stares out at the audience throughout the play, not turning to the rest of the cast even as she trades lines back and forth and holds a center place in the drama unfolding.
The challenge she presents- The moral she represents- Is as much for the audience as it is for the characters.
Without the excessive spectacle of the occult, and without the Queen in Shadow's unflinching gaze, the tale presented in the Diabolic Match would still be thrilling, but would lose some of its potency. Without the audience first doubting themselves, the true horror of the tale, the moral of it, could never truly be communicated.
You cannot tell someone that something is frightening and have them understand. You must make their spine shiver, and they will understand without any more needing to be said. If we, as artists, attempt to capture an emotion, we must be willing to go to the utmost lengths, to seemingly /absurd/ lengths, to ensure the audience feels the ineffable thing we are attempting to conjure.
So I exhort you, my fellow artists- Do not fear the absurd. Do not fear the 'heavyhanded'. Wield your art like a hammer, and impress upon your audience the very soul of your intent. If you are wondering if something is 'too much', throw it in anyways, fearlessly, courageously. If you are to fail, do so gloriously, such that the shattered ruin of your meaning is itself a work of art.
[Tucked in near the back of the paper, another article might catch your eye...]
Romance: A Dangerous New Trend
By Marcel de Renault
Dementlieu is a shining bastion of freedom and prosperity. We are a nation deeply ingrained with tradition. Our freedoms, as vast and welcome as they are, often can lead even the best of astray. Perhaps the newest and most dastardly of these trends is the latest obsession with romance, specifically the romancing of commoners and gentry. Marriage has had a longstanding obligation of fulfilling a son or daughter’s duty to one’s family. Feelings of attachment, desire and love, however, threaten to lead our people away from such rich traditions and threaten to separate us from our strong roots that make us great.
Perhaps such threats do not pose an issue for the common man, but it has become problematic for those of genteel birth. It can be disgraceful to one’s family if a man of noble birth elevates a commoner to his status by virtue of marriage. Likewise, lines of succession become disrupted when our fair women marry down to people beneath their station and lose their status as a noblewoman. These are the most common arguments against choosing romance over responsibility, but that does not mean they are any less true. Sometimes romance can work out for the best, such as the case for Sieur Dorian de Sauvre and Dame Madeleine de Sauvre, where their connection and love for one another strengthens their connection, their houses, and our Serene Republic, but this is perhaps the best-case scenario in a long list of scandals.
In the vein of responsibility, arranged marriages and courtships are not just done to further the line of succession for the family. When two noble houses are united under marriage, whether it is via a proper courtship or arranged, they strengthen the ties and bonds of those great houses that make up the gentry, and by extension, the members of the peerage. The Serene Republic benefits from these connections that tie houses together as it allows for a more uniform and orderly nation. It comes down to a matter of selfishness versus duty to one’s country and family. The freedoms we have as a republic are possible because of those who put their country before their own interests and desires. To what extent does a commoner becoming ennobled by marriage benefit our Republic? To what extent does a gentlewoman losing her acclaim help the state? Simply put, it does not.
Truthfully, notions of passion and love simply do not fit the values of gentry. We must hark back to the concept of noblesse oblige. Those of better birth than others have a social responsibility to enrich the lives of those who do not. Indeed, such is the case when a nobleman marries a commoner and elevates them to a similar such status. But this example is an example of shortsightedness. I argue that if you truly love someone you would sacrifice your own feelings and desires to make the lives of not just that person, but their families. Love is a strong emotion, and even in the face of love, one should choose to do their duty. A political marriage between two noble houses greatly outweighs what one noble and common marriage could accomplish. The position and ties one is able to manufacture for the Republic can put them in a greater position to enrich the lives of that person they might care for. Not just for them, but for their extended families, for their children, for the generations to come.
If we were all to choose who we wanted to court and marry based on carnal passions and feelings of romance, society becomes blurred. The intermixing of stations—where commoners may be tanners and their noble spouses may be barons—can lead to the downfall of the values that makes Dementlieu strong. These very cultural values are that which has allowed us to lead the way in the civilized world as a beacon of hope and freedom. Our responsibility should always remain on how to keep Dementlieu strong. If a nobleperson does not pride themselves on their duty and sacrifice their own desires for the betterment of their countrymen, then it begs the question: what are their priorities?
[Lastly, at the end there is a list of notable events forthcoming in the City of Lights the Gentry may wish to attend.]
Wednesday, August 3rd - Opening of Aubry Martial Academy at Warehouse 2. For full details, please see Mister d'Aubry's own paper, 'Uncommon Sense.'
Saturday, August 6th - Clan Katayama is hosting it's very first auction at their restaurant located at Warehouse #1 in the Marchand District of Port-a-lucine! Merchants in particular are encouraged to bring their wares to trade.
Sunday, August 14th - La Troupe de La Fleur d'Ambre Presents..."The Prismatic Perspective Theory." And Orginal Musical by Violeta Dragunescu-Istrate.
Note - Guests are encouraged to wear a monochromatic outfit of their favour colour - Plan your wardrobe ahead!
Saturday, August 19th - Guest Speaker, Secrete our editor, will be giving a lecture on Richemuloise culture at the University of Dementlieu.
Sunday, August 20th - A performance by the Theatre de la Cathedral - Trials of the Saintess. Advertisements forthcoming.